A Black and white image for an anthology of Young Adult Fiction. Extract is 'Otherworld' by Lucinda Murray.

An illustration to accompany a dystopian extract in an anthology of young adult fiction.

A Black and white image for an anthology of Young Adult Fiction. Extract is 'Trev' by Val Mote.

A Black and white image for an anthology of Young Adult Fiction. Extract is 'The Light in Our Hands' by Sarah Waterstone.

The Lambs to the Slaughter. An illustration to represent the waves of under prepared graduates leaving the structure of university.

A Risograph print for an editorial about leaving University.

An Editorial for a story in which hip width and likely hood of having a one night stand are discovered to have correlation.

An article in the Bristol Magazine about oats being the super food of our kitchens.

Amir Kahn. A short article in which Kahn vows to earn a fight with his current target, Floyd Mayweather.

Uwe Boll. An illustration to accompany an interview with a man who's "widely regarded as Hollywoods worst director" in forthcoming Union magazine.

Portrait of Sarojini Naidu for the ebook "The Brilliant Women Collection" by Eve Merrier.

Portrait of Tiny Davis for the ebook "The Brilliant Women Collection" by Eve Merrier.

A collection of characterised hangovers, originally taken from a "morning after menu". It was created in the style of an illustrated cocktail menu to be displayed at an art event in a bar.

"A morning after experience that's all in your head. Skull splitting pain expertly shaken with the inability to face light, sound or the world. A great One for the fashion conscious; you will never own glasses dark enough."

"A classic for a reason, this is a popular blend of inner bubbly, searing abdominal pain and inhuman gastric gurgles. Generally enjoyed after a night with the lads, don't expect your brand new, expansive physique to allow you through narrow doors any time soon."

"A delicate blend of light head, weak knees & a touch of the AM shakes. The Fragile shaker is less about hardcore hurt & more about emotional & physical fragility. Not a great one for agility, this can be enjoyed in anyway, as long as its stationary."

"And the ultimate, for when you've really gone all out. There are no words to describe the take down. Only a light wallet, several misplaced hours and a whole lot of apologies to make. A day Hanging with the Ultimate is no real day at all, work will understand."

Illustration for Joseph Conrad's Heart of Darkness. Submission for the House of Illustration competition 2014. "Two women, one fat the other slim, sat on straw bottomed chairs knitting black wool."

Illustration for Joseph Conrad's Heart of Darkness. Submission for the House of Illustration competition 2014. “What we could see was just the steamer we were on, her outlines blurred as though she had been on the point of dissolving, and a misty strip of water, perhaps two feet broad, around her– and that was all. The rest of the world was nowhere…”

Illustration for Joseph Conrad's Heart of Darkness. Submission for the House of Illustration competition 2014. “But his soul was mad. Being alone in the wilderness, it had looked within itself, and, by heavens! I tell you, it had gone mad.”

Book Jacket design for Heart of Darkness by Joseph Conrad. Part of the House of Illustration 2014 competition submission.

Simon. Bits of character design for my forthcoming childrens book.

A Portrait of a budding seemstress

A piece from an illustrated card deck based on Vladmir Propp's theory of classic character types.

A wedding gift commission for a Dog Lover.

An illustration about the end of spring. Inspiration taken from Norse Mythology and given a contemporary twist.

A piece about Being crafty in the workplace.

Wedding Card design.

An image inspired by the all-too-often realisation of couples that, once the children have left home, their relationship has nothing left. I wanted to capture a sense of quiet, awkwardness between two people who, in the face of the empty nest, have nothing left to say to each other.